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| Interview
- June, 2004 |
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| Tour Press
- 2004 |
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| Entertainment
Weekly - April 16, 2004 |
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| Variety
- April 7, 2004 |
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| RollingStone.com
- March 22, 2004 |
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| Performing
Songwriter - March 3, 2004 |
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| Washington
Post - February 26, 2002 |
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| Daily
News - February 19, 2002 |
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| Nashville
Scene - February 22, 2001 |
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| Interview
- July, 2000 |
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| Variety
- July 31, 2000 |
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| The
New Yorker - July 3, 2000 |
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MARCH 22, 2004
by Rob O'Connor
Peter Salett, After A While
Simple but not simplistic, Peter Salett writes pop songs that
wrap their longings in the leanest of arrangements. Salett orchestrates
with a Zen-like economy on his second album, placing a pedal
steel in one corner, a piano in another, offering nothing overpowering,
just solid musicianship from a small, supporting cast of local
New York City notables. The songs simmer with a reflective early
1970s glaze, not unlike what a modern day East Coast Jackson
Browne or Bread might surmise. "I Fly So High" sports
a deep winter vibe with its muffled vocal, metaphysical quest
and emphatic finger-picking that recalls early Bruce Cockburn.
"Colorful Dream" and the title track suggest Ben Folds
Five without the smart-assed streak. Salett's low-key demeanor
hasn't prevented his music from gathering notice from actors
turned film directors -- Edward Norton, Salma Hayek -- who've
appropriately noted how well Salett's imagistic tone poems can
support their cinematic contemplation. .
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