|
| Interview
- June, 2004 |
|
| Tour Press
- 2004 |
|
| Entertainment
Weekly - April 16, 2004 |
|
| Variety
- April 7, 2004 |
|
| RollingStone.com
- March 22, 2004 |
|
| Performing
Songwriter - March 3, 2004 |
|
| Washington
Post - February 26, 2002 |
|
| Daily
News - February 19, 2002 |
|
| Nashville
Scene - February 22, 2001 |
|
| Interview
- July, 2000 |
|
| Variety
- July 31, 2000 |
|
| The
New Yorker - July 3, 2000 |
|

APRIL 7, 2004
by Steven Mirkin
With male crooners such as Jamie Cullum and
Michael Buble garnering attention, the time may just be right
for Peter Salett.
Celebrating the release of his fourth album, "After a While"
(Dusty Shoes Music), the Brooklyn-based singer-songwriter showed
off a winning personality at the Hotel Cafe. His warm, easy,
dreamy voice is perfectly suited for his atmospheric, sepia-tinged
songs; it floats along on the gentle waves of his acoustic guitar
and Matt Horn's piano. Catherine Popper and Bill Dobrow provide
an unhurried beat, and Don Piper on steel guitar adds hornlike
leads that nudge the songs toward country music. He's the kind
of performer who would have found a home on Asylum Records in
the '70s; at times, Salett comes across as a hybrid of labelmates
Jackson Browne and Tim Moore. It's an effective mix that has
brought him some high-profile soundtrack placements, including
on Salma Hayek-helmed "The Maldonado Miracle." Salett's songs
retain their cinematic quality in the Hotel Cafe's close quarters.
"If You're Dreaming" has a lovely, swelling melody, while "Halcyon
Days" moves with a heady lope. The album's title track moves
the farthest afield -- a cracked waltz with Horn adding a ghostly
synthesized calliope -- and is easily the evening's highlight.
|