|
| Interview
- June, 2004 |
|
| Tour Press
- 2004 |
|
| Entertainment
Weekly - April 16, 2004 |
|
| Variety
- April 7, 2004 |
|
| RollingStone.com
- March 22, 2004 |
|
| Performing
Songwriter - March 3, 2004 |
|
| Washington
Post - February 26, 2002 |
|
| Daily
News - February 19, 2002 |
|
| Nashville
Scene - February 22, 2001 |
|
| Interview
- July, 2000 |
|
| Variety
- July 31, 2000 |
|
| The
New Yorker - July 3, 2000 |
|
APRIL 16, 2004
by Liza Ghorbani
It's easy to understand why the accessible sounds of New York
singer-songwriter Peter Salett often serve as cinematic backdrops
(Ed Norton's Keeping the Faith and Salma Hayek's The
Maldonado Miracle). On songs of loneliness and love lost,
Salett proves that less is indeed more, letting his rich vocals
soar over a sole piano accompaniment or spare acoustics. His
every yearning and pang feels like your own. B+
|
